Mermaids, Silver Butterflies, and Miracles

“My soul is full of longing for the secret of the sea, and the heart of the great ocean sends a thrilling pulse through me.”

–Henry Wadsworth Longfellow

Mankind’s fascination with the sea has sparked imagination since the first person beheld its mighty waters. Curiosity led people to invent the means to travel across the great oceans and eventually explore beneath them, trying to discover their secrets. Throughout the centuries, millennia in fact, people have created myths and legends about creatures living within the sea’s depths. One of the most alluring and formidable beings to inspire writers, artists, children, and adults is the mermaid, who entices men to a watery death. Mermaids have been forever immortalized in stories such as Hans Christian Andersen’s “The Little Mermaid,” but there's more to them than that story tells.

Painting by John William Waterhouse of a mermaid sitting on a rocky shore while she combs her long hair.
John William Waterhouse painting, public domain.

These sea nymphs exist in Slavic folklore as well and are called Rusalki. Believed to be the souls of young women who have drowned, they often appear as white or silver butterflies, which in many cultures symbolize the soul.

Beware Rusalki Week

Although their sisters of the forests, the Samodivi, may be more popular in Bulgaria, it’s the Rusalki who have an entire week dedicated to them: Rusalijska Nedelya, or Mermaid (Rusalki) Week, starts on Pentecost.

On Rusalska Sunday, Rusalki leave the deep waters to walk in meadows, spreading dew upon the soil to fertilize the land. People don’t work in fields or vineyards during this week as a way to honor the nymphs for the life-giving waters they bring. Whenever anyone dares to venture out during the week, he tucks wormwood, garlic, and walnut leaves inside his shirt, or attaches them to a belt, to protect himself from the Rusalki, as well as other creatures or spirits that may be wandering about the forests, mountains, or water bodies. Sensitive to strong smells, Rusalki avoid those carrying such herbs and flowers.

Just as important, people refrain from bathing or washing clothes on this day to prevent Rusalki from dragging them into the depths of the water and drowning them.

Botanical illustration of burning bush, dictamnus albus.
By Bois, D.; Frederick Warne (Firm); Herincq, B.; Step, Edward; Watson, William [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0), Public domain], via Wikimedia Commons

On Wednesday and Friday of Mermaid Week, Rusalki gather in groves where their favorite flower, the burning bush (Dictamnus albus) grows. Its Bulgarian name is rosen, which means dew. A detailed look at this and other magical herbs used in Slavic folklore can be found in 77 1/2 Magical Healing Herbs.

These places are holy and sacred to the Rusalki. They pluck the tips from the flowers to place in their hair. The flower’s fragrance is intoxicating like a drug. Thus adorned, the nymphs worship nature with their magical songs and dance.

A Softer Side of Rusalki

While wearing rosen, Rusalki become kindhearted and often heal those who sleep in the meadow. One famous place is the village of Resen, which gets its name from the flower. Sleeping in the meadow isn't enough to ensure a cure, however. People perform a special ritual called “walking on the dewy rosen grass.” The sick go to the meadow in the evening, being careful not to let anyone see them. They each find an isolated place amidst the flowers and eat their evening meal. Then, before sunset, each one spreads a white handkerchief next to them. They cover their heads and remain silent, drifting off to sleep.

During the night, the Rusalki arrive, bearing their queen on a chariot of human bones. Those who may still be awake claim they hear laughter and songs. If a person who has lost a limb is among those gathered, the Rusalki may say, “Restore (person’s name) leg.”

At sunrise, the sick check their handkerchiefs. If empty, it means the Rusalki chose not to cure the person. For those the nymphs decide to grant the person a miracle cure, they leave various objects. The person mixes it with water and drinks it slowly. Dirt left on the handkerchief is a sign the person will die from their disease.

Regardless of what the nymphs leave or don’t leave, everyone places pitka (ritual bread) on the handkerchief for the Rusalki when they return. Pitka holds a special place in all Bulgarian rituals and holidays. It is broken, not cut, because it’s believed the bread itself has a soul.

Rusalii: Magical Healers

The Rusalki are not the only ones to perform healing during Mermaid Week. At one time, on Sunday, rusalii, men who got their name from Rusalki, went from village to village healing the sick with their ritual dance. In particular they healed those whom the Rusalki had cursed, often those who chose to work during their sacred week.

It was taboo for the men to talk, make the sign of the cross, or step in water because they were in a semi-trance, linking them to both the human and spiritual worlds. Armed with a white flag decorated with herbs, a special colorful stick, caps with herbs entwined, bells attached to their ankles, and a pot of vinegar and garlic, they were prepared to cure the Rusalki-induced illness. The ritual and its mystical elements are woven into the story of Mystical Emona: Soul’s Journey, a fantasy romance set against the backdrop of Eastern European folklore.

Photograph of rusalii performing a ritual to heal a person lying on the ground.
Obicaji Rusalje Duboka-Kucevo. Public domain, via Wikimedia Commons

 

Further Reading

A brief note: although “Rusalki” is often translated as “mermaids,” these water spirits are not the tailed creatures commonly associated with mermaids in popular culture. They have legs and are more accurately described as water spirits or water maidens.

Dynda, Jiří. “Rusalki: Anthropology of Time, Death, and Sexuality in Slavic Folklore.” Studia Mythologica Slavica 20, no. 1 (2017): 83–109.
Analyzes Rusalki’s roles in life, death, and seasonal rituals, providing an anthropological perspective on their influence in folklore.

Goscilo, Helena. “Watery Maidens: Rusalki as Sirens and Slippery Signs,” 50–70. Link
Investigates how Rusalki are portrayed as both alluring and dangerous figures in Slavic storytelling.

Hubbs, Joanna. Mother Russia: The Feminine Myth in Russian Culture.
Explores the symbolic roles of female mythological figures in Slavic and Russian cultural history.

Ivanits, Linda J. Russian Folk Belief.
A foundational text on Russian and Slavic folklore, including water spirits, seasonal rituals, and healing practices.

Konstantinova, Daniela, trans. “Rousalii and Kaloushari: Shamans and Witch-Doctors.” Link
Discusses the roles of male healers and ritual specialists who interact with Rusalki and their associated magical traditions.

Aveela, Ronesa. A Study of Rusalki - Slavic Mermaids of Eastern Europe.
A detailed exploration of Rusalki in Slavic folklore, mythology, and cultural storytelling, connecting their rituals and seasonal appearances to historical beliefs.

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